Physics

### 14.1Speed of Sound, Frequency, and Wavelength

52.

What component of a longitudinal sound wave is analogous to a trough of a transverse wave?

1. compression
2. rarefaction
3. node
4. antinode
53.

What is the frequency of a sound wave as perceived by the human ear?

1. timbre
2. loudness
3. intensity
4. pitch
54.

What properties of a solid determine the speed of sound traveling through it?

1. mass and density
2. rigidity and density
3. volume and density
4. shape and rigidity
55.

Does the density of a medium affect the speed of sound?

1. No
2. Yes
56.

Does a bat make use of the properties of sound waves to locate its prey?

1. No
2. Yes
57.

Do the properties of a sound wave change when it travels from one medium to another?

1. No
2. Yes

### 14.2Sound Intensity and Sound Level

58.
When a passing driver has his stereo turned up, you cannot even hear what the person next to you is saying. Why is this so?
1. The sound from the passing car’s stereo has a higher amplitude and hence higher intensity compared to the intensity of the sound coming from the person next to you. The higher intensity corresponds to greater loudness, so the first sound dominates the second.
2. The sound from the passing car’s stereo has a higher amplitude and hence lower intensity compared to the intensity of the sound coming from the person next to you. The lower intensity corresponds to greater loudness, so the first sound dominates the second.
3. The sound from the passing car’s stereo has a higher frequency and hence higher intensity compared to the intensity of the sound coming from the person next to you. The higher frequency corresponds to greater loudness so the first sound dominates the second.
4. The sound from the passing car’s stereo has a lower frequency and hence higher intensity compared to the intensity of the sound coming from the person next to you. The lower frequency corresponds to greater loudness, so the first sound dominates the second.
59.
For a constant area, what is the relationship between intensity of a sound wave and power?
1. The intensity is inversely proportional to the power transmitted by the wave, for a constant area.
2. The intensity is inversely proportional to the square of the power transmitted by the wave, for a constant area. $upper I equals StartFraction 1 Over upper P squared EndFraction$
3. The intensity is directly proportional to the square of the power transmitted by the wave, for a constant area. $upper I equals upper P squared$
4. The intensity is directly proportional to the power transmitted by the wave, for a constant area. $upper I equals StartFraction upper P Over upper A EndFraction$
60.
What does $upper I$ stand for in the equation $beta left-parenthesis dB right-parenthesis equals 10 log Subscript 10 Baseline left-parenthesis StartFraction upper I Over upper I 0 EndFraction right-parenthesis$? What is its unit?
1. Yes, $upper I$ is the sound intensity in watts per meter squared in the equation, $beta left-parenthesis dB right-parenthesis equals 10 log Subscript 10 Baseline left-parenthesis StartFraction upper I Over upper I 0 EndFraction right-parenthesis$.
2. $upper I$ is the sound illuminance and its $SI$ unit is lumen per meter squared.
3. $upper I$ is the sound intensity and its $SI$ unit is watts per meter cubed.
4. $upper I$ is the sound intensity and its $SI$ unit is watts per meter squared.
61.
Why is the reference intensity $upper I 0 equals 10 Superscript en-dash 12 Baseline upper W slash m squared$?
1. The upper limit of human hearing is $100$ decibels, i.e. $beta equals 100 dB$. For $beta equals 100 dB$, $upper I 0 equals 10 Superscript negative 12 Baseline upper W slash m squared$.
2. The lower threshold of human hearing is $10$ decibels, i.e. $beta equals 10 dB$. For $beta equals 10 dB$, $upper I 0 equals 10 Superscript negative 12 Baseline upper W slash m squared$
3. The upper limit of human hearing is $10$ decibels, i.e. $beta equals 10 dB$. For $beta equals 10 dB$, $upper I 0 equals 10 Superscript negative 12 Baseline upper W slash m squared$
4. The lower threshold of human hearing is $0$ decibels, i.e., $beta equals 0 dB$. For $beta equals 0 dB$, $upper I 0 equals 10 Superscript negative 12 Baseline upper W slash m squared$
62.
Given that the sound intensity level of a particular wave is $82 dB$, what will be the sound intensity for that wave?
1. $upper I equals 1.6 times 10 Superscript negative 6 Baseline upper W slash m squared$
2. $upper I equals 82 times 10 Superscript negative 12 Baseline upper W slash m squared$
3. $upper I equals 8.2 times 10 Superscript negative 12 Baseline upper W slash m squared$
4. $upper I equals 1.6 times 10 Superscript negative 4 Baseline upper W slash m squared$
63.
For a sound wave with intensity $1.58 times 10 Superscript negative 4 Baseline upper W slash m squared$, calculate the pressure amplitude given that the sound travels through air at $0 Superscript ring Baseline upper C$.
1. $0.734 Pa$
2. $3.67 Pa$
3. $0.135 Pa$
4. $0.367 Pa$
64.

Which nerve carries auditory information to the brain?

1. buccal nerve
2. peroneal nerve
3. cochlear nerve
4. mandibular nerve
65.
Why do some smaller instruments, such as piccolos, produce higher-pitched sounds than larger instruments, such as tubas?
1. Smaller instruments produce sounds with shorter wavelengths, and thus higher frequencies.
2. Smaller instruments produce longer wavelength, and thus higher amplitude, sounds.
3. Smaller instruments produce lower amplitude, and thus longer wavelength sounds.
4. Smaller instruments produce higher amplitude, and thus lower frequency, sounds.

### 14.3Doppler Effect and Sonic Booms

66.
How will your perceived frequency change if you move away from a stationary source of sound?
1. The frequency will become lower.
2. The frequency will be doubled.
3. The frequency will be tripled.
4. The frequency will become higher.
67.

True or false—The Doppler effect also occurs with waves other than sound waves.

1. False
2. True
68.
A source of sound is moving towards you. How will what you hear change if the speed of the source increases?
1. The sound will become more high-pitched.
2. The sound will become more low-pitched.
3. The pitch of the sound will not change.
69.
Do sonic booms continue to be created when an object is traveling at supersonic speeds?
1. No, a sonic boom is created only when the source exceeds the speed of sound.
2. Yes, sonic booms continue to be created when an object is traveling at supersonic speeds.
70.
Suppose you are driving at a speed of $20.0 m slash s$ and you hear the sound of a bell at a frequency of $400.0 Hz$. What is the actual frequency of the bell if the speed of sound is $335 m slash s$?
1. $f Subscript s Baseline equals 401 Hz or f Subscript s Baseline equals 315 Hz$
2. $f Subscript s Baseline equals 385 Hz or f Subscript s Baseline equals 419 Hz$
3. $f Subscript s Baseline equals 415 Hz or f Subscript s Baseline equals 366 Hz$
4. $f Subscript s Baseline equals 425 Hz or f Subscript s Baseline equals 377 Hz$
71.

What is the frequency of a stationary sound source if you hear it at 1200.0 Hz while moving towards it at a speed of 50.0 m/s? (Assume speed of sound to be 331 m/s.)

1. 1410 Hz
2. 1380 Hz
3. 1020 Hz
4. 1042 Hz

### 14.4Sound Interference and Resonance

72.
What is the actual frequency of the wave produced as a result of superposition of two waves?
1. It is the average of the frequencies of the two original waves that were superimposed.
2. It is the difference between the frequencies of the two original waves that were superimposed.
3. It is the product of the frequencies of the two original waves that were superimposed.
4. It is the sum of the frequencies of the two original waves that were superimposed.
73.
Can beats be produced through a phenomenon different from resonance? How?
1. No, beats can be produced only by resonance.
2. Yes, beats can be produced by superimposition of any two waves having slightly different frequencies.
74.

How is human speech produced?

1. Human speech is produced by shaping the cavity formed by the throat and mouth, the vibration of vocal cords, and using the tongue to adjust the fundamental frequency and combination of overtones.
2. Human speech is produced by shaping the cavity formed by the throat and mouth into a closed pipe and using tongue to adjust the fundamental frequency and combination of overtones.
3. Human speech is produced only by the vibrations of the tongue.
4. Human speech is produced by elongating the vocal cords.
75.
What is the possible number of nodes and antinodes along one full wavelength of a standing wave?
1. $2$ nodes and $3$ antinodes or $2$ antinodes and $3$ nodes.
2. $2$ nodes and $2$ antinodes or $3$ antinodes and $3$ nodes.
3. $3$ nodes and $3$ antinodes or $2$ antinodes and $2$ nodes.
4. $6$ nodes and $4$ antinodes or $6$ antinodes and $4$ nodes.
76.
In a pipe resonator, which frequency will be the least intense of those given below?
1. second overtone frequency
2. first overtone frequency
3. fundamental frequency
4. third overtone frequency
77.
A flute is an open-pipe resonator. If a flute is $60 cm$ long, what is the longest wavelength it can produce?
1. $240 cm$
2. $180 cm$
3. $60 cm$
4. $120 cm$
78.
What is the frequency of the second overtone of a closed-pipe resonator with a length of $22.0 cm$? (Assume the speed of sound is $331 m slash s$.)
1. $7520 Hz$
2. $1510 Hz$
3. $376 Hz$
4. $1880 Hz$
79.
An open-pipe resonator has a fundamental frequency of $220 Hz$ when the speed of sound is $331 m slash s$. What will its fundamental frequency be when the speed of sound is $350 m slash s$?
1. $690 Hz$
2. $470 Hz$
3. $110 Hz$
4. $230 Hz$
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