20.5 Writing Process: Looking Back, Looking Forward

Prewriting

Before beginning your reflective essay, take some time to review your work from the course. Write a few sentences or paragraphs about specific aspects of each assignment, such as its purpose, your feelings, what you learned, what you did well (and not so well), and where you think you can do significantly better. This prewriting work will be useful later.

Summary of Assignment: Portfolio Reflection and Self-Evaluation

In the form of a letter (e.g., “Dear Reader”), respond to several questions and discuss various topics related to your writing development in this course. For example, you might be asked to identify and discuss your strongest piece of writing. For each claim you make about your strongest assignment, provide reasoning and evidence from your portfolio to support the statement. When you quote directly from your own writing, be sure to state which assignment or draft you are quoting. Within the context of your responses, include commentary on most of the following course topics as well as others that have been significant:

• Writing processes (organizing graphically, outlining, drafting, conferencing, revising, editing, publishing, recursivity)
• Rhetorical situation, rhetoric, and persuasion
• Reasoning strategies, textual and rhetorical analysis
• Evidentiary strategies: evaluation, research
• Word choice, leads, transitions
• Thesis statement, structure and organization, introductions, conclusions
• Showing, not telling; descriptive writing
• Voice; feelings, as hindsight or in process

Depending on the nature of your portfolio, you may be able to create a digital or multimodal reflective letter, as mentioned in Glance at Genre: Purpose and Structure.

Another Lens. Using reflective organization and strategies, create a fictionalized story for readers. Some fiction writers base their stories on real events, adding material or characters to help readers connect the plot points and make the story more memorable and engaging. For example, consider a school-like setting and a host of characters. Incorporate dialogue, details of setting, and other story elements to develop characters and create tension.

In this example, James, Rafael, and Jess are not real people, but the characters show how students may react during a peer-review workshop. Of course, you might decide to write about a less-than-ideal experience in which Rafael laughs at James’s work and Jess steps in to help him revise. Or you might set the story in a different time or place and create an entirely different situation. Whatever you decide, use your course experience and some creativity to create scenarios in which a character reflects on their writing in ways that are meaningful and useful not only for you but also for your readers. Then weave these characters into a larger narrative. It might end in a published class book or website of student writing and require James to give a speech about one of his papers, or it might end in another scenario that follows logically from the narrative you have created. Regardless of where you take the story, include realistic elements of reflection as well as how your main character develops across the story, faces a challenge, and finds a way to overcome it.

You can show character development in several different ways. One way is to be inside a character’s mind. To portray a character thinking rather than talking, employ internal monologue by using sentence fragments and other nonacademic writing conventions to show that a person’s thought process doesn’t follow conventional rules of language. For example, a character named Bethany describes her thoughts when revising her first paper. She writes an internal monologue—readers hear her talking to herself while she tries to focus on revision. Note how she provides clues for readers to understand what is going on around her.

student sample textOMG, I cannot believe I wrote that! How could I write about a calligraphy pen when I don’t even own a calligraphy pen? I’m not even sure what one looks like! Bonkers! I wonder if the other people in my class are staring at me right now. I’m afraid to look up. I casually tilt my head up and see no one paying any attention to me whatsoever. Wonderful! I’m just another writer in a writing class.end student sample text

In this example, the character works through a process of reflection based on her experience. She cannot believe she wrote about a calligraphy pen, but perhaps because of her nervousness with writing, this quirk has become a unique aspect of her character. You might create other such quirks in one of your characters, such as a character who always reads aloud, even in the middle of class, or one who taps a pen on their forehead loudly as they read. Then you can use that as a tool to point to another aspect of what you learned in your actual course. When writing this fictionalized piece, be mindful of your focus, which is to reflect on your development as a writer during this course.