By the end of this section, you will be able to:
- Examine and apply key techniques used in film and movies to personal rhetorical and cultural contexts.
- Implement a variety of technologies to address a range of audiences.
- Create a multimodal work that incorporates visual rhetorical techniques.
Lights, Camera Angles, Actions
This chapter focuses largely on still images, but many of the same principles apply to moving images, or film. Documentaries in particular combine a series of still or moving images with historical and narrative text. This section shows how the concepts of visual rhetoric apply to the documentary work of Ken Burns. It also encourages you to examine your experience through such techniques by creating a film autobiography.
Burns’s style is deceptively simple. His documentaries are narrated in an informative, objective manner, sometimes by a well-known figure in politics, sports, or entertainment whose work is related to the documentary topic. The images consist of archival footage, which differs depending on the topic, ranging from black-and-white photographs to grainy home videos. These are interspersed with interviews from eyewitnesses and experts.
Of the many techniques that Burns employs, three are of particular interest: foreshadowing, the personal vs. the universal, and juxtaposition.
Documentaries are not known for being riveting, suspenseful, edge-of-your seat thrillers, but Ken Burns keeps audiences enthralled for hours on end. The Civil War, for example, consists of nine episodes totaling 11 hours and 30 minutes. One important way Burns keeps audiences engaged is by implying that things are not as they seem or that a major change is just on the horizon. Such warnings are delivered by his narrators often just after a peak emotional moment either of contentment and resolution or of fear and anxiety. The effect is to make the audience question what could possibly happen next and to keep them tuned in for the next episode.
The Personal vs. the Universal
History may move in giant sweeps across times and places, but it happens day by day with the mundane choices made by ordinary people. Burns excels at highlighting the small, personal tales of individuals who changed the course of history and the ways massive historical movements affected individual people’s lives. The back-and-forth of these forces plays out in his work like a delicate ballet in which the lead dancers move toward and away from one another on stage, amplifying the tension each time.
Like any serious historian, Burns is interested not merely in what happened but also in why. This investigation requires that he go beyond appearances, a challenge for a filmmaker who relies on images to make his meaning clear to viewers. Burns often demonstrates for viewers how people and events converge by showing an ordinary American soldier, farmer, or sports figure, for example, alongside a powerful political figure. Alternatively, he may pan out from a newspaper headline only to zoom in on a story printed deep within the fold. In the viewer’s mind, the placement of such figures plants an impression that is immediately upended or replaced. The experience can be jarring, but the technique leads to deep learning and retention, which is one reason Burns’s documentaries leave a lasting impression on his audience.
Publish Your Work: Film Autobiography
|Video Creation Software|
|Lightworks||Best for beginners. Includes stock images.||LWKS|
|VideoPad||Open access and easy to use. Limited functionality.||VideoPad|
|HitFilm Express||Somewhat advanced. Allows special effects. Must share status update on social media to use.||HitFilm|
|OpenShot||For intermediate users.||OpenShot|
|Upload videos to YouTube privately so that you control who sees them and when.||YouTube|
|Set your YouTube audience to comply with the Children’s Online Privacy Protection Act.||Channel Setting|
|Set your YouTube video to be visible only to your professor and classmates.||Sharing With a Specific Audience|
A film autobiography about your experiences with writing and images can help you consider the way you use images in discourse. It also serves as good practice in thinking critically about your experiences and their relation to both images and language. Finally, a film autobiography allows you to communicate your experiences and reflections with others, expanding their worldview as well as your own.