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Writing Guide with Handbook

11.1 Developing Your Sense of Logic

Writing Guide with Handbook11.1 Developing Your Sense of Logic

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Table of contents
  1. Preface
  2. The Things We Carry: Experience, Culture, and Language
    1. 1 Unit Introduction
    2. 1 The Digital World: Building on What You Already Know to Respond Critically
      1. Introduction
      2. 1.1 "Reading" to Understand and Respond
      3. 1.2 Social Media Trailblazer: Selena Gomez
      4. 1.3 Glance at Critical Response: Rhetoric and Critical Thinking
      5. 1.4 Annotated Student Sample: Social Media Post and Responses on Voter Suppression
      6. 1.5 Writing Process: Thinking Critically About a “Text”
      7. 1.6 Evaluation: Intention vs. Execution
      8. 1.7 Spotlight on … Academia
      9. 1.8 Portfolio: Tracing Writing Development
      10. Further Reading
      11. Works Cited
    3. 2 Language, Identity, and Culture: Exploring, Employing, Embracing
      1. Introduction
      2. 2.1 Seeds of Self
      3. 2.2 Identity Trailblazer: Cathy Park Hong
      4. 2.3 Glance at the Issues: Oppression and Reclamation
      5. 2.4 Annotated Sample Reading from The Souls of Black Folk by W. E. B. Du Bois
      6. 2.5 Writing Process: Thinking Critically about How Identity Is Constructed Through Writing
      7. 2.6 Evaluation: Antiracism and Inclusivity
      8. 2.7 Spotlight on … Variations of English
      9. 2.8 Portfolio: Decolonizing Self
      10. Further Reading
      11. Works Cited
    4. 3 Literacy Narrative: Building Bridges, Bridging Gaps
      1. Introduction
      2. 3.1 Identity and Expression
      3. 3.2 Literacy Narrative Trailblazer: Tara Westover
      4. 3.3 Glance at Genre: The Literacy Narrative
      5. 3.4 Annotated Sample Reading: from Narrative of the Life of Frederick Douglass by Frederick Douglass
      6. 3.5 Writing Process: Tracing the Beginnings of Literacy
      7. 3.6 Editing Focus: Sentence Structure
      8. 3.7 Evaluation: Self-Evaluating
      9. 3.8 Spotlight on … The Digital Archive of Literacy Narratives (DALN)
      10. 3.9 Portfolio: A Literacy Artifact
      11. Further Reading
      12. Works Cited
      13. Works Consulted
  3. Bridging the Divide Between Personal Identity and Academia
    1. 2 Unit Introduction
    2. 4 Memoir or Personal Narrative: Learning Lessons from the Personal
      1. Introduction
      2. 4.1 Exploring the Past to Understand the Present
      3. 4.2 Memoir Trailblazer: Ta-Nehisi Coates
      4. 4.3 Glance at Genre: Conflict, Detail, and Revelation
      5. 4.4 Annotated Sample Reading: from Life on the Mississippi by Mark Twain
      6. 4.5 Writing Process: Making the Personal Public
      7. 4.6 Editing Focus: More on Characterization and Point of View
      8. 4.7 Evaluation: Structure and Organization
      9. 4.8 Spotlight on … Multilingual Writers
      10. 4.9 Portfolio: Filtered Memories
      11. Further Reading
      12. Works Cited
    3. 5 Profile: Telling a Rich and Compelling Story
      1. Introduction
      2. 5.1 Profiles as Inspiration
      3. 5.2 Profile Trailblazer: Veronica Chambers
      4. 5.3 Glance at Genre: Subject, Angle, Background, and Description
      5. 5.4 Annotated Sample Reading: “Remembering John Lewis” by Carla D. Hayden
      6. 5.5 Writing Process: Focusing on the Angle of Your Subject
      7. 5.6 Editing Focus: Verb Tense Consistency
      8. 5.7 Evaluation: Text as Personal Introduction
      9. 5.8 Spotlight on … Profiling a Cultural Artifact
      10. 5.9 Portfolio: Subject as a Reflection of Self
      11. Works Cited
    4. 6 Proposal: Writing About Problems and Solutions
      1. Introduction
      2. 6.1 Proposing Change: Thinking Critically About Problems and Solutions
      3. 6.2 Proposal Trailblazer: Atul Gawande
      4. 6.3 Glance at Genre: Features of Proposals
      5. 6.4 Annotated Student Sample: “Slowing Climate Change” by Shawn Krukowski
      6. 6.5 Writing Process: Creating a Proposal
      7. 6.6 Editing Focus: Subject-Verb Agreement
      8. 6.7 Evaluation: Conventions, Clarity, and Coherence
      9. 6.8 Spotlight on … Technical Writing as a Career
      10. 6.9 Portfolio: Reflecting on Problems and Solutions
      11. Further Reading
      12. Works Cited
    5. 7 Evaluation or Review: Would You Recommend It?
      1. Introduction
      2. 7.1 Thumbs Up or Down?
      3. 7.2 Review Trailblazer: Michiko Kakutani
      4. 7.3 Glance at Genre: Criteria, Evidence, Evaluation
      5. 7.4 Annotated Student Sample: "Black Representation in Film" by Caelia Marshall
      6. 7.5 Writing Process: Thinking Critically About Entertainment
      7. 7.6 Editing Focus: Quotations
      8. 7.7 Evaluation: Effect on Audience
      9. 7.8 Spotlight on … Language and Culture
      10. 7.9 Portfolio: What the Arts Say About You
      11. Further Reading
      12. Works Cited
    6. 8 Analytical Report: Writing from Facts
      1. Introduction
      2. 8.1 Information and Critical Thinking
      3. 8.2 Analytical Report Trailblazer: Barbara Ehrenreich
      4. 8.3 Glance at Genre: Informal and Formal Analytical Reports
      5. 8.4 Annotated Student Sample: "U.S. Response to COVID-19" by Trevor Garcia
      6. 8.5 Writing Process: Creating an Analytical Report
      7. 8.6 Editing Focus: Commas with Nonessential and Essential Information
      8. 8.7 Evaluation: Reviewing the Final Draft
      9. 8.8 Spotlight on … Discipline-Specific and Technical Language
      10. 8.9 Portfolio: Evidence and Objectivity
      11. Further Reading
      12. Works Cited
    7. 9 Rhetorical Analysis: Interpreting the Art of Rhetoric
      1. Introduction
      2. 9.1 Breaking the Whole into Its Parts
      3. 9.2 Rhetorical Analysis Trailblazer: Jamil Smith
      4. 9.3 Glance at Genre: Rhetorical Strategies
      5. 9.4 Annotated Student Sample: “Rhetorical Analysis: Evicted by Matthew Desmond” by Eliana Evans
      6. 9.5 Writing Process: Thinking Critically about Rhetoric
      7. 9.6 Editing Focus: Mixed Sentence Constructions
      8. 9.7 Evaluation: Rhetorical Analysis
      9. 9.8 Spotlight on … Business and Law
      10. 9.9 Portfolio: How Thinking Critically about Rhetoric Affects Intellectual Growth
      11. Further Reading
      12. Works Cited
    8. 10 Position Argument: Practicing the Art of Rhetoric
      1. Introduction
      2. 10.1 Making a Case: Defining a Position Argument
      3. 10.2 Position Argument Trailblazer: Charles Blow
      4. 10.3 Glance at Genre: Thesis, Reasoning, and Evidence
      5. 10.4 Annotated Sample Reading: "Remarks at the University of Michigan" by Lyndon B. Johnson
      6. 10.5 Writing Process: Creating a Position Argument
      7. 10.6 Editing Focus: Paragraphs and Transitions
      8. 10.7 Evaluation: Varied Appeals
      9. 10.8 Spotlight on … Citation
      10. 10.9 Portfolio: Growth in the Development of Argument
      11. Further Reading
      12. Works Cited
    9. 11 Reasoning Strategies: Improving Critical Thinking
      1. Introduction
      2. 11.1 Developing Your Sense of Logic
      3. 11.2 Reasoning Trailblazer: Paul D. N. Hebert
      4. 11.3 Glance at Genre: Reasoning Strategies and Signal Words
      5. 11.4 Annotated Sample Reading: from Book VII of The Republic by Plato
      6. 11.5 Writing Process: Reasoning Supported by Evidence
      7. Further Reading
      8. Works Cited
    10. 12 Argumentative Research: Enhancing the Art of Rhetoric with Evidence
      1. Introduction
      2. 12.1 Introducing Research and Research Evidence
      3. 12.2 Argumentative Research Trailblazer: Samin Nosrat
      4. 12.3 Glance at Genre: Introducing Research as Evidence
      5. 12.4 Annotated Student Sample: "Healthy Diets from Sustainable Sources Can Save the Earth" by Lily Tran
      6. 12.5 Writing Process: Integrating Research
      7. 12.6 Editing Focus: Integrating Sources and Quotations
      8. 12.7 Evaluation: Effectiveness of Research Paper
      9. 12.8 Spotlight on … Bias in Language and Research
      10. 12.9 Portfolio: Why Facts Matter in Research Argumentation
      11. Further Reading
      12. Works Cited
    11. 13 Research Process: Accessing and Recording Information
      1. Introduction
      2. 13.1 The Research Process: Where to Look for Existing Sources
      3. 13.2 The Research Process: How to Create Sources
      4. 13.3 Glance at the Research Process: Key Skills
      5. 13.4 Annotated Student Sample: Research Log
      6. 13.5 Research Process: Making Notes, Synthesizing Information, and Keeping a Research Log
      7. 13.6 Spotlight on … Ethical Research
      8. Further Reading
      9. Works Cited
    12. 14 Annotated Bibliography: Gathering, Evaluating, and Documenting Sources
      1. Introduction
      2. 14.1 Compiling Sources for an Annotated Bibliography
      3. 14.2 Glance at Form: Citation Style, Purpose, and Formatting
      4. 14.3 Annotated Student Sample: “Healthy Diets from Sustainable Sources Can Save the Earth” by Lily Tran
      5. 14.4 Writing Process: Informing and Analyzing
      6. Further Reading
      7. Works Cited
    13. 15 Case Study Profile: What One Person Says About All
      1. Introduction
      2. 15.1 Tracing a Broad Issue in the Individual
      3. 15.2 Case Study Trailblazer: Vilayanur S. Ramachandran
      4. 15.3 Glance at Genre: Observation, Description, and Analysis
      5. 15.4 Annotated Sample Reading: Case Study on Louis Victor "Tan" Leborgne
      6. 15.5 Writing Process: Thinking Critically About How People and Language Interact
      7. 15.6 Editing Focus: Words Often Confused
      8. 15.7 Evaluation: Presentation and Analysis of Case Study
      9. 15.8 Spotlight on … Applied Linguistics
      10. 15.9 Portfolio: Your Own Uses of Language
      11. Further Reading
      12. Works Cited
  4. Navigating Rhetoric in Real Life
    1. 3 Unit Introduction
    2. 16 Print or Textual Analysis: What You Read
      1. Introduction
      2. 16.1 An Author’s Choices: What Text Says and How It Says It
      3. 16.2 Textual Analysis Trailblazer: bell hooks
      4. 16.3 Glance at Genre: Print or Textual Analysis
      5. 16.4 Annotated Student Sample: "Artists at Work" by Gwyn Garrison
      6. 16.5 Writing Process: Thinking Critically About Text
      7. 16.6 Editing Focus: Literary Works Live in the Present
      8. 16.7 Evaluation: Self-Directed Assessment
      9. 16.8 Spotlight on … Humanities
      10. 16.9 Portfolio: The Academic and the Personal
      11. Further Reading
      12. Works Cited
    3. 17 Image Analysis: What You See
      1. Introduction
      2. 17.1 “Reading” Images
      3. 17.2 Image Trailblazer: Sara Ludy
      4. 17.3 Glance at Genre: Relationship Between Image and Rhetoric
      5. 17.4 Annotated Student Sample: “Hints of the Homoerotic” by Leo Davis
      6. 17.5 Writing Process: Thinking Critically and Writing Persuasively About Images
      7. 17.6 Editing Focus: Descriptive Diction
      8. 17.7 Evaluation: Relationship Between Analysis and Image
      9. 17.8 Spotlight on … Video and Film
      10. 17.9 Portfolio: Interplay Between Text and Image
      11. Further Reading
      12. Works Cited
    4. 18 Multimodal and Online Writing: Creative Interaction between Text and Image
      1. Introduction
      2. 18.1 Mixing Genres and Modes
      3. 18.2 Multimodal Trailblazer: Torika Bolatagici
      4. 18.3 Glance at Genre: Genre, Audience, Purpose, Organization
      5. 18.4 Annotated Sample Reading: “Celebrating a Win-Win” by Alexandra Dapolito Dunn
      6. 18.5 Writing Process: Create a Multimodal Advocacy Project
      7. 18.6 Evaluation: Transitions
      8. 18.7 Spotlight on . . . Technology
      9. 18.8 Portfolio: Multimodalism
      10. Further Reading
      11. Works Cited
    5. 19 Scripting for the Public Forum: Writing to Speak
      1. Introduction
      2. 19.1 Writing, Speaking, and Activism
      3. 19.2 Podcast Trailblazer: Alice Wong
      4. 19.3 Glance at Genre: Language Performance and Visuals
      5. 19.4 Annotated Student Sample: “Are New DOT Regulations Discriminatory?” by Zain A. Kumar
      6. 19.5 Writing Process: Writing to Speak
      7. 19.6 Evaluation: Bridging Writing and Speaking
      8. 19.7 Spotlight on … Delivery/Public Speaking
      9. 19.8 Portfolio: Everyday Rhetoric, Rhetoric Every Day
      10. Further Reading
      11. Works Cited
    6. 20 Portfolio Reflection: Your Growth as a Writer
      1. Introduction
      2. 20.1 Thinking Critically about Your Semester
      3. 20.2 Reflection Trailblazer: Sandra Cisneros
      4. 20.3 Glance at Genre: Purpose and Structure
      5. 20.4 Annotated Sample Reading: “Don’t Expect Congrats” by Dale Trumbore
      6. 20.5 Writing Process: Looking Back, Looking Forward
      7. 20.6 Editing Focus: Pronouns
      8. 20.7 Evaluation: Evaluating Self-Reflection
      9. 20.8 Spotlight on … Pronouns in Context
      10. Further Reading
      11. Works Cited
  5. Handbook
  6. Index

Learning Outcomes

By the end of this section, you will be able to:

  • Identify key rhetorical concepts and thought patterns in a variety of texts.
  • Explain how patterns of thought function for different audiences, purposes, and situations.

For the purposes of this course, logic means “reasoning based on thought and evidence.” In practical terms, logic is the ability to analyze and evaluate persuasive or argument writing for effectiveness. By extension, it also means that you can learn to use logic in your own argumentative writing. Like any other new skill, you are likely to learn best when you have a starting point. Here are some suggestions for how to begin thinking and writing logically:

  • Approach a topic with an open mind.
  • Consider what you already know about the topic.
  • Consider what you want to know about the topic.
  • Find credible information about the topic.
  • Base your judgments of the topic on sound reasoning and evidence.

Once you have formed your opinions on a particular debatable subject, you must decide on the best way to organize them to share with others. Developing your skills in six widely used reasoning strategies, or patterns for thinking and writing, can help you determine the most logical and effective means of organizing information to make your points.

In this chapter, you will examine these six reasoning strategies—analogy, cause and effect, classification and division, comparison and contrast, problem and solution, and definition—that are often used in college classes. In addition, you will consider how writers’ personal views, cultural backgrounds, and purposes for writing help determine

  • which reasoning strategy suits their needs; and
  • what they decide to include in their writing.

As you progress in your college classes and beyond, you will find these reasoning strategies used in all genres of writing, both nonfiction (e.g., textbooks, how-to books) and fiction (e.g., novels, short stories). Understanding how these strategies work can help you recognize their common formats and analyze what you read; likewise, as a writer, understanding how these strategies work to reflect your thinking can help you determine the strategy you need to use.

Analogy

Writers frequently use analogy as a strategy to compare two unlike subjects—one subject is familiar to readers, whereas the other is not. To explain or clarify the unfamiliar subject, the writer emphasizes the way or ways in which the two subjects are similar, even though they are dissimilar and unrelated in all other ways. Analogies are basically long forms of similes (short comparisons of unlike elements, based on the word like or as) or metaphors (short comparisons without signal words). In the example paragraph, the writer explains unfamiliar aspects of the COVID-19 pandemic by comparing it with the more familiar concept of a robbery spree.

Model Paragraph

student sample textExamining COVID-19 is like examining a robbery case in this way: both require a great deal of investigation. Those investigating the causes behind the pandemic look for the history of how the virus spread, and those investigating a crime look for the backstory that might connect the victims and criminals. In addition, the two groups of investigators look at the reasons behind the focus of their study. Medical investigators look at why the virus spread throughout the world; police investigators look at why the crime spree took place in a particular area. Also, both types of investigators are trying to stop whatever or whoever is the focus of their investigation. Medical investigators want to stop the virus; police investigators want to stop the crimes.end student sample text

Cause and Effect

Cause-and-effect writing identifies and examines the reasons (causes) for and consequences (effects) of an action, event, or idea. Cause-and-effect writing often answers the question “Why?” and helps readers understand the connections between what happens because of—or as a result of—something else.

Model Paragraph

student sample textRay’s grocery, Artie’s Hardware store, and Cradle and Teen department store all went out of business because a well-known superstore opened in Springdale. Customers who frequented Ray’s, an establishment that had been run by the same family for four generations, used to drive many miles to take advantage of the high quality of items in the meat and deli departments. After the opening of the superstore, however, those same customers found they could get similar items at a savings, even if the quality was not as high as the products at Ray’s. Customers at Artie’s Hardware often talked with owner Artie Shoeman about their hardware needs, but the store did not offer the same variety of items they could find in the superstore. The same was true for those who shopped at Cradle and Teen. The superstore featured lower prices and more variety, even if the items did not match the quality of the items at Cradle and Teen.end student sample text

A small town vacant retail store may have been put out of business by a superstore.
Figure 11.2 Small retailers often lose out to superstores. (credit: “Fort Bragg CA Storefront” by Ellin Beltz/Wikimedia Commons, Public Domain)

Classification and Division

Classification and division are actually two closely related strategies, generally discussed together because of their similarity. When using the strategy of division, the writer identifies a single subject or group and explains categories within that subject or group. In other words, the writer divides the larger unit into component parts. When using the strategy of classification, writers do the opposite. They group various elements and place them into larger, more comprehensive categories rather than divide the whole into parts. In general, the reasoning strategy of classification and division looks at smaller elements as parts of a larger element and thus helps readers understand a general concept and the elements that it comprises.

Model Paragraphs

student sample textExtra material in the textbook can be divided into photographs, quotations, and tables. The photographs were all taken by the author and focus on various parts of the life cycle of the plants highlighted in the chapter. In addition, to add color and more information about the subject matter of each chapter, the author has inserted sidebar quotations from both famous and non-famous people. The tables the author has included help readers see more details about the progression of the plants’ spread across the country.end student sample text

student sample textAfter three months of training, the young dogs were placed into three categories: those who would go directly to permanent homes, those who would repeat the course, and those who would advance to the next level. The dogs that would be homed immediately were those who were far too social or far too active to be service dogs. The dogs that would repeat the course had possibilities as service dogs but needed more discipline and instruction. Their futures were yet to be decided. Those that advanced to the next level were obedient and focused and learned quickly. They displayed great promise as service dogs.end student sample text

Comparison and Contrast

Compare and contrast, one of the most frequently used reasoning strategies, analyzes two (sometimes more) subjects, examining the similarities (comparisons) and differences (contrasts) between them. Nearly everything you can think of can be a subject for comparison and contrast: objects, people, concepts, places, movies, literature, and styles, to name a few. To elaborate on the separate points, writers provide details about each element being compared or contrasted. Comparison and contrast helps readers analyze and evaluate subjects.

This strategy is helpful when the similarities or differences are not obvious and when a significant common thread exists between the subjects. For example, a contrast between an expensive, elegant restaurant and a fast-food restaurant would be useless because the differences are clearly obvious, despite the common thread—both are restaurants. However, not so obvious might be some similarities.

When subjects have no common thread or have obvious shared characteristics, any comparison or contrast makes little sense—like contrasting a fish and a shoe (no common thread) or comparing two fast-food restaurants (obvious similarities). However, a writer actually might find a common thread between a fish and a shoe (perhaps shine or texture or color), and a valid topic of contrast might be differences between the two fast-food restaurants.

Model Paragraph

student sample textAlthough they seem different on the surface, one way in which Romantic-period poetry and 1980s rap music are alike is the desire the writers had to create a new approach to their art. They wanted to represent simpler values that were more connected to the natural world, values to which a general audience could relate. For example, in William Wordsworth’s “Daffodils,” the speaker can escape the depressing, industrialized urban world to find peace in nature by contemplating a field of flowers. Similarly, in the Sugarhill Gang’s 1979 “Rapper’s Delight,” the band sings of how their beats can lift spirits and cause listeners to dance and forget their woes. However, Romantic-period poetry and 1980s rap music are different in the delivery style and form of the art; “Rapper’s Delight” is set to music, which is an integral part of the piece, but “Daffodils” is not.end student sample text

Problem and Solution

When using this reasoning strategy, writers introduce a predicament or challenging issue (the problem) and offer information about what was done or what should be done to remedy the predicament or issue (the solution). Problem-and-solution writing helps readers understand the complexities of some predicaments and the actions that can improve or eliminate them.

Model Paragraph

student sample textThe issue of combating the spread of hate speech and misinformation on social media can be addressed if more social media providers improve their monitoring services. Aside from creating more algorithms that search for linked key words and phrases, social media providers should increase the number of professional monitors conducting active searches. Additionally, while many platforms such as Twitter and Facebook respond within a few days to reports of posts that violate their policies, more monitors could lessen the amount of time these posts are available. According to Facebook, inappropriate posts are investigated and removed within 24 to 48 hours (Facebook “Community Standards”). Some offenders have been reported multiple times for their platform violations, and social media sponsors should increase their monitoring of those offenders. Although such surveillance would increase the burden on the social media providers, it would help solve the growing challenge of online hate speech and misinformation.end student sample text

A collection of social media icons, including Pinterest, social wifi, Snapchat, Vimeo, Twitter, Facebook, and Instagram, are pinned to a bulletin board.
Figure 11.3 Social Media Icons (credit: “Social Media Mixed Icons – Banner” by Blogtrepreneur/Wikimedia Commons, Creative Commons, CC BY 2.0)

Definition

When using the reasoning strategy of definition, writers elaborate on the meaning of an idea, a word, or an expression, usually one that is controversial or that can be viewed in multiple ways. Beginning writers tend to think that definition writing looks only at the denotation, or dictionary definition. However, definition writing entails much more than relaying a dictionary definition. It also explains and elaborates on the connotations, the emotions and implications the topic evokes. Definition writing is especially useful for explaining and interpreting terms, ideas, or concepts that are easily or often confused or that have meanings beyond their denotations. Sometimes these meanings are personal interpretations and thus reflect a writer’s particular viewpoint. Additionally, this strategy is beneficial when writers want to explain or reinforce a term before making an argument about a larger concept.

Model Paragraph

student sample textIn everyday speech, the word critical is often used to highlight negative aspects of a topic. If someone says a friend was critical of a new haircut, the implication is that the friend did not like the cut. However, when used in college classes, critical has an expanded meaning: noting both the negative and positive aspects of a topic, examining those aspects in depth, and then making decisions about the discoveries. Students directed to use critical thinking, critical reading, or critical writing should know they are expected to examine all sides of a topic fully, evaluate the validity of those sides, and then make sound judgments on the basis of their evaluation.end student sample text

In this chapter, you have learned about various reasoning strategies that you may use in academic and professional writing. Utilizing these strategies when you write can help you both evaluate and analyze text that you read and create more logical and persuasive arguments.

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